Summary

  • The Menu, like other movies in its genre, delves into themes of class warfare and explores the consequences of wealth and privilege.
  • Director Mark Mylod delivers a critical hit with The Menu, a thriller that challenges societal norms and expectations.
  • Fans of The Menu will enjoy similar films like Get Out and Ready or Not that offer thought-provoking social commentaries with unexpected twists.
SCREENRANT VIDEO OF THE DAY

SCROLL TO CONTINUE WITH CONTENT

The Menu is a shocking thriller by director Mark Mylod, and its themes of class warfare and decadence can be found in various other movies like The Menu. In The Menu, a collection of wealthy diners, including Margot Mills (Anya Taylor Joy) attend a world-renowned restaurant on an island. As their meal progresses, it becomes clear that the rigid head chef Julian Slowik (Ralph Fiennes) has different intentions than just feeding his guests. The Menu asks questions about wealth and privilege, using its restaurant setting to explore the premise.

Certified fresh on Rotten Tomatoes with an impressive 76% audience score, The Menu and its characters are a critical hit. It was also a relative success, making $79 million on a budget of only $30 million (via Box Office Mojo), and impressed viewers with its story focusing on social status and the idea of delivering the opposite of what many people expected when walking into the theater. Fans looking for thrillers about gatherings gone wrong and commentaries on class divides can find many several similar movies that are sure to please as much as The Menu.

Source

The Menu Theory: The Characters Represent The Seven Deadly Sins

The Menu’s characters can be divided into seven categories based on their story arcs, which suggests they allude to the biblical Seven Deadly Sins.

17 Get Out (2017)

Jordan Peele’s Social Parable Disguised As A Genre Piece

Get Out

Cast
Lyle Brocato , LaKeith Stanfield , Caleb Landry Jones , Betty Gabriel , Allison Williams , Marcus Henderson , erika alexander , Bradley Whitford , Jeronimo Spinx , Catherine Keener , Daniel Kaluuya

In The Menu, the chef and his crew plan to “eat the rich” and it is all in the name of social commentary. In a similar format, Jordan Peele’s terrifying Get Out takes the social commentary and places it in a more direct horror genre story. Get Out depicts a wealthy white liberal family who abducts Black people to live forever in a “superior body” once they age. It’s beyond twisted, and just like The Menu, the exact message isn’t immediately apparent, rewarding rewatches.

Get Out is one of the best movies, like The Menu, which is a social parable disguised as a genre piece. Both films expertly weave their chilling narratives with sharp wit and unsettling scenarios that force audiences to confront uncomfortable truths about society. Moreover, the depth of their storytelling ensures that each viewing can offer new insights, making them films that are engaging and thought-provoking.

16 The Cabin In The Woods (2012)

Manipulates Viewers’ Expectations & Explores The Ethics Of Horror

The Menu subverts expectations by appearing to be about wealthy people gathering for an exceptional dinner, but it ends up as a tale of revenge and violence. Similarly, TheCabin in the Woods was a movie that viewers expected to be like a modern-day Evil Dead, but they got something much more meta, as it ended up being a probing satire of the horror genre and its many tropes. The Cabin in the Woods uniquely manipulates viewer expectations, using its seemingly predictable setup as a launchpad to explore the mechanics and ethics of horror storytelling itself.

Like The Menu, the 2012 movie delights in pulling the rug out from under the audience, providing a commentary-laden rollercoaster that critiques the very audience it entertains. Both The Menu and The Cabin in the Woods are best experienced knowing as little as possible going into it, and fans of The Menu’s upending midpoint will enjoy something similar in The Cabin in the Woods.

15 Fresh (2022)

Noa & Margot Have A Lot Of Similarities

Fresh
Director
Mimi Cave

Cast
Andrea Bang , Daisy Edgar-Jones , Dayo Okeniyi , Brett Dier , Charlotte Le Bon , Sebastian Stan , Jonica T. Gibbs

Fresh is a 2022 film about a young, single woman named Noa (Daisy Edgar-Jones) who has been consistently unlucky on dating apps until she meets Steve (Sebastian Stan). However, Steve is worse than any of the other mediocre men she’s dated when he captures her in his home. One of the best horror movies like The Menu, Fresh‘s twist ending is for the horror fan who has seen everything and doesn’t think they can be surprised.

Noa, like Margot in The Menu, is a strong female lead put into a dangerous situation because of the secret machinations of a man they thought was only a date. Both Fresh and The Menu use contemporary settings to unpack traditional horror tropes, twisting them into fresh narratives that resonate with today’s societal issues. They challenge viewers to examine the facades of the seemingly benign individuals and settings, highlighting how horror can manifest in everyday situations and relationships.

14 Ready Or Not (2019)

Ready Or Not Masterfully Blend Dark Humor With Horror

Grace armed for the hunt in Ready or Not wearing her bridal dress
Ready or Not
Director
Matt Bettinelli-Olpin , Tyler Gillett
Cast
Nat Faxon , Kate Ziegler , Elyse Levesque , Chase Churchill , Elana Dunkelman , Andie MacDowell , Liam MacDonald , Mark O’Brien , Nicky Guadagni , Adam Brody​ , Henry Czerny , Ethan Tavares , Kristian Bruun , Melanie Scrofano , Samara Weaving , Etienne Kellici , John Ralston

In Ready or Not, young bride Grace (Samara Weaving) marries into a wealthy board game magnate’s family. After her reception, the family forces her to play a deadly game of Hide-and-Seek, where she is being hunted. The movie immediately creates an unsettling atmosphere since Grace doesn’t know if she can even trust her new husband. Ready or Not will appeal to fans of movies like The Menu, as both feature characters who are brought somewhere strange because of the person they trusted.

In both cases, a regular dinner or wedding turns into something worse than the protagonists could have thought. Ready or Not and The Menu masterfully blend dark humor with horror, presenting scenarios where a joyous occasion morphs into a terrifying fight for survival. The films highlight the protagonists’ resourcefulness and tenacity, showcasing how ordinary individuals respond when thrust into extraordinary and life-threatening circumstances orchestrated by those closest to them.

13 Bodies Bodies Bodies (2022)

A Twisted Examination Of Gen Z Starring Pete Davidson

Emma (Chase Sui Wonders) and David (Pete Davidson) Sitting on the couch smiling in Bodies Bodies bodies
Image via A24

​​

Bodies Bodies Bodies
Director
Halina Reijn

Cast
Pete Davidson , Maria Bakalova , Rachel Sennott , Chase Sui Wonders , Amandla Stenberg , Lee Pace , Myha’la Herrold

A fresh take on murder mysteries, Bodies Bodies Bodies is a twisted blast that examines whether a group of Gen Z friends even really like each other. As one person dies, and they scramble to figure out who among them did it, the characters trade insults and share the innermost thoughts that they would generally keep to themselves. Bodies Bodies Bodies and The Menu both employ their settings—a party and a dinner, respectively—as battlegrounds where societal pretensions are stripped away under extreme circumstances.

Just as movies like The Menu descend into murderous disasters, Bodies Bodies Bodies turns a regular party into a fight for survival. Both movies maintain a sense of humor and comment on how wealthy elites can often be victims of their impulsivity and naïveté. This satirical lens on privilege and friendship pushes characters to reveal their true, usually dark, natures when survival stakes are high. In both films, humor is used not just for relief but as a sharp tool to critique the absurdities of their social circles.

Source

Bodies Bodies Bodies Ending Explained (In Detail)

The Bodies Bodies Bodies ending reveals a major twist as the body count caps out and A24’s slasher unveils the chaotic origins of the night’s events.

12 The Feast (2021)

The Feast Is A Cautionary Tale Of The Consequences Of Greed

Cadi looking at her hand in The Feast
The Feast
Director
Lee Haven Jones
Cast
Caroline Berry , Lisa Palfrey , Sion Alun Davies , Annes Elwy , Steffan Cennydd

The Feast takes place at a gorgeous mansion in Wales as a rich family invites two people over for dinner, and each family member begins to act strangely before the event happens. The Feast is as surprising as a movie like The Menu and has a dark ending with characters who are not all they seem. The movie itself is set in a beautiful, affluent setting like in The Menu, and the distinct characters are memorable long after the film ends.

Like The Menu, The Feast will appeal to fans of morality tales that punish those who don’t respect beauty, whether that be a dish or a mountain. The Feast and The Menu both use their opulent settings to unravel the veneer of high society, revealing the dark and often grotesque underbellies of their respective gatherings. These films craft intense, visually striking narratives that not only entertain but also serve as cautionary tales about the consequences of greed and disregard for nature. Each story builds tension and mystery around its characters, leaving a lasting impression with their haunting conclusions.

11 All The Boys Love Mandy Lane (2006)

Mandy Lane Isn’t Just A Traditional Final Girl

Mandy standing in All The Boys Love Mandy Lane

All the Boys Love Mandy Lane

Many slashers are about the ever-present social politics in high school, including All the Boys Love Mandy Lane, which sees the titular protagonist (Amber Heard) attend a pool party thrown by a classmate and ends with the bullied students becoming the aggressors. All the Boys Love Mandy Lane has a twist ending and the characters have no idea what is really going on, just like Margot as she attends a mysterious meal in The Menu. Additionally, like Margot in The Menu, Mandy Lane is not a traditional final girl.

Audiences who enjoy a horror lead who has more control than even the villain will approve of All the Boys Love Mandy Lane. All the Boys Love Mandy Lane and The Menu both play with the element of the unknown, wrapping their central characters in layers of mystery that unfold in shocking ways. These films challenge traditional horror archetypes, especially in their portrayal of their leads, who defy the typical victim narrative by wielding more awareness and influence over their situations than initially apparent.

10 Would You Rather (2012)

Would You Rather Explores Themes Of Desperation & Moral Compromise

Brittany Snow appearing shocked at a table with others around her and tools in front of her In Would You Rather Movie

In Would You Rather, Iris (Brittany Snow) attends a gathering and plays the eponymous game to win enough cash to save her sick brother. It’s hard to know if Iris will really go through with it, as the game has much higher stakes than the standard party version. The games in Would You Rather are similar to the games Chef Slowik plays on his guests in The Menu in that they’re as much a test of how someone reacts as they are about succeeding.

Would You Rather and The Menu both elevate simple concepts— a dinner party and a game night—into sinister psychological tests that expose the darker sides of human nature. As participants in both settings are pushed to their limits, the films explore themes of desperation and moral compromise, challenging the audience to think about what they might do under similar duress. This shared focus on high-stakes decision-making connects the films, offering a gripping look at the extremes of human behavior.

9 Scream (2022)

Scream (2022)
Director
Matt Bettinelli-Olpin , Tyler Gillett
Cast
Neve Campbell , Courteney Cox , David Arquette , Melissa Barrera , Jack Quaid , Mikey Madison , Jenna Ortega

Scream (2022), the fifth installment in the Scream franchise, once again uses slasher film tropes to both poke fun at and pay homage to violent horror films. This time, the characters talk about their wish to “reboot” the Woodsboro killings in a metatextual reference to the movie, itself a “very soft” reboot. The villains in Scream are obsessive in their pursuit of making a big, important statement, just like the characters in The Menu are obsessive about either creating something memorable or experiencing it. There’s something enjoyable about watching a character break multiple moral boundaries to achieve perfection.

Scream and The Menu both delve into the art of crafting a narrative, whether it’s a murderous spree in a slasher film or a culinary experience in an exclusive restaurant. Each film scrutinizes the obsession with perfection and the lengths to which individuals will go to create a memorable impact, often at great personal and ethical cost. These stories captivate audiences with their blend of tension and commentary, making the characters’ relentless pursuits both horrifying and fascinating to witness.

Source

Scream Movies In Order: How To Watch The Horror Franchise Chronologically

Scream reinvented the slasher genre back in 1996, and here’s its subsequent sequels and TV series spin-offs in the correct chronological order.

8 You’re Next (2011)

Erin holding an axe in You're Next
You’re Next
Director
Adam Wingard

Cast
Sharni Vinson , Nicholas Tucci , Wendy Glenn , AJ Bowen , Joe Swanberg , Barbara Crampton , Amy Seimetz , Ti West

In You’re Next, Erin (Sharni Vinson) visits her boyfriend Crispian’s (A. J. Bowen) family when masked intruders appear and systematically kill the party gatherers. What they didn’t count on is Erin having some serious survival skills. Just like The Menu, the “helpless” girlfriend turns out to be the only one with any survival instinct and a history that makes them much more formidable than meets the eye. Both movies reveal their heroines as being unexpectedly ready for the danger they’re about to face.

You’re Next and The Menu both subvert the damsel in distress trope by showcasing heroines whose hidden depths and abilities become central to their survival. Erin and Margot both appear initially as typical characters who might easily be victims in their respective dangerous scenarios, but as events unfold, they reveal cunning, resourcefulness, and a readiness to confront their adversaries. These films celebrate the idea that underestimating someone based on their outward appearance can be a fatal error, making both heroines stand out in their genres.

7 The Invitation (2022)

The Invitation Is A Gripping Tale Of Empowerment

Evie in a fancy dress in The Invitation
The Invitation – 2022
Director
Jessica M. Thompson
Cast
Nathalie Emmanuel , Alana Boden , Stephanie Corneliussen , Hugh Skinner , Thomas Doherty , Courtney Taylor , Sean Pertwee

The Invitation is one of the best 2022 horror movies, with Evie Jackson (Nathalie Emmanuel) being invited to a wedding that isn’t just an ordinary celebration but offers her the chance to meet a family she didn’t even know about. However, Evie finds out an incredibly dark truth about these relatives. Just like The Menu, The Invitation asks what a person would do if they found themselves in a shockingly dangerous situation. Both Margot and Evie are strong, tough characters who make difficult choices to save themselves, making for compelling journeys.

The Invitation and The Menu both explore the terrifying realizations that come when characters uncover hidden, sinister intentions behind seemingly joyous gatherings. Evie and Margot, the resilient protagonists, navigate these twisted social landscapes, making tough, morally complex decisions to ensure their survival. Their stories are gripping tales of empowerment that resonate with audiences, highlighting the strength required to defy and overcome the deadly traps set by those closest to them.

Source

10 Best Movies Like The Invitation (2022)

Sony’s The Invitation promises fans a bloody good time. For those fans who want more, however, what are the best movies to watch?

6 Silent Night (2021)

Silent Night Centers Around The Inevitability Of Doom

Kiera Knightly reading a book in Silent Night.
Silent Night (2021)
Director
Camille Griffin

Cast
Keira Knightley , Sope Dirisu , Lily-Rose Depp , Lucy Punch , Roman Griffin Davis , Annabelle Wallis , Matthew Goode , Kirby Howell-Baptiste , Rufus Jones

Both a compelling horror film and a sad look at a family celebrating Christmas, Silent Night imagines a world about to end and the characters who are saying goodbye to each other. A deadly gas is coming for everyone living in England, which sets up a tense and chilling environment. For those who enjoyed the second half of The Menu the most, Silent Night has a similar story of people trapped together, waiting for the inevitable. Seeing the characters struggle with their impending doom in real time and trying to think their way out of an impossible situation is riveting.

Silent Night and The Menubothcraft narratives centered around the inevitability of doom within enclosed spaces, where characters grapple with their fate amidst a gathering that spirals into chaos. While Silent Night adopts a more somber tone to reflect on personal and existential crises, it parallels The Menu in how it dissects human behavior under extreme stress. Both films challenge their characters—and, by extension, the audience—to confront the reality of their situations, creating compelling drama that’s both introspective and intense.

5 Parasite (2019)

The Bong Joon-Ho Movie Explores Themes Of Class Conflict

Parasite
Director
Bong Joon Ho
Cast
Yeo-Jeong Jo , Myeong-hoon Park , Jeong-eun Lee , Sun-kyun Lee , Ji-so Jung , So-dam Park , Keun-rok Park , Kang-ho Song , Ji-hye Lee , Woo-sik Choi , Seo-joon Park , Hye-jin Jang

Parasite, directed by Bong Joon-ho is equal parts thriller and sharp satire on the difference between those who have nothing and those who have everything. In Parasite, the Kim family takes on aid roles for the wealthy Park family. The Kims get sucked into the Parks’ luxurious lifestyle, which leads to unexpected and deadly consequences. Like The Menu, Parasite pits the haves vs the have-nots and never paints the latter as angelic or righteous. Instead, both movies show how people can be pushed so far from their ideals that they become unrecognizable, even to themselves.

Parasite and The Menu both intricately dissect the dynamics between the wealthy and the less fortunate, utilizing their narratives to explore themes of class conflict and the moral compromises that arise from desperation. Both films avoid simplistic portrayals of the underprivileged as purely virtuous, presenting them as complex characters capable of sympathy and morally questionable actions. This nuanced exploration of human nature and societal structures makes both films profound and unsettling commentaries on the impact of social stratification.

Source

Is The House From Parasite Real?

As the primary setting, the Park family home is central to Bong Joon-ho’s Academy Award-winning Parasite, but is it a real house?

4 Triangle Of Sadness (2022)

The Woody Harrelson Movie Depicts The Grotesque Behavior Of Snobbish Characters

Triangle of Sadness poster with the cast lounging on a yacht.
Triangle of Sadness
Director
Ruben Östlund
Cast
Harris Dickinson , Charlbi Dean , Dolly de Leon , Zlatko Buric , Henrik Dorsin , Vicki Berlin , Woody Harrelson

Triangle of Sadness is a satirical black comedy by Swedish filmmaker Ruben Östlund. The movie follows a group of wealthy guests on a luxury cruise. The bad-mannered and obnoxious guests are juxtaposed with the working-class crew struggling to satisfy all the absurd requests. The movie’s dark humor goes from pointed conversations on communism and capitalism to extreme gross-out gags. Like The Menu, Triangle of Sadness offers a look into a luxurious experience few can afford: a private cruise. It allows audiences to enjoy the wealth while also laughing and grimacing at the fates of snobbish characters.

Triangle of Sadness and The Menu both employ settings of opulence and exclusivity to serve up biting satirical commentary on class and wealth. Each film uses its luxurious backdrop not just for visual splendor but as a stage for the absurd and often grotesque behaviors of the elite, juxtaposed sharply with the perspectives of the less privileged staff catering to them. Fans of either film will appreciate how both delve into the darker, often humorous aspects of wealth and privilege, revealing the fragile veneer of high society through escalating surreal and uncomfortable situations.

Source

Triangle of Sadness Cast & Character Guide

Triangle of Sadness, starring Harris Dickinson, is a comedy about a group of wealthy passengers on board a cruise with shocking surprises.

3 Boiling Point (2021)

Steven Graham Plays A Chef Broken Down By His Work

Stephen Graham as a chef yelling in Boiling Point.

Beyond being a pointed satire of the wealthy and those who serve, The Menu is also a great restaurant and food movie. The courses are presented on screen with overlaid text describing them. For fans of The Menu who particularly enjoyed the high-intensity cooking action of the movie, Boiling Point is another look at a chef who’s been broken down by his work and his customers. The film stars Stephen Graham as Andy Jones, an overburdened restaurant owner, as he and his crew work on a busy night, with only one single shot through the entire movie.

Boiling Point and The Menuboth provide intense, behind-the-scenes looks at the pressures and dramas of restaurant life, focusing on chefs pushed to their limits by the demands of their environments and patrons. Stephen Graham’s portrayal of a chef at the brink in Boiling Point echoes the tension and artistry in The Menu, where culinary perfection and personal turmoil simmer together. Both films captivate audiences with their high-stakes kitchen dynamics, making them a treat for those fascinated by the chaotic dance of professional cooking and the personal stories that unfold within it.

2 Glass Onion: A Knives Out Mystery (2022)

The Benoit Blanc Movie Masterfully Blends Mystery & Satire

Glass Onion: A Knives Out Mystery is a sequel to 2019’s Knives Out. Detective Benoit Blanc (Daniel Craig) in the Glass Onion cast is invited to a billionaire’s island to play a murder mystery game. What other wealthy guests soon find out is that an actual murder has been committed, and it’s a race to solve it before more people die. Like The Menu, Glass Onion takes place on a secluded, remote island with all sorts of fanciful architecture and set design that is a pleasure to see on-screen. Furthermore, it follows the wealthy enjoying a worry-free lifestyle before a dangerous reality sets in.

Glass Onion and The Menu both artfully blend elements of mystery and satire within the confines of luxurious, isolated settings. Both films start with a group of wealthy characters enjoying what they assume will be a leisurely escape, only to be caught up in deadly games that reveal deeper layers of deceit and danger. The sumptuous set designs and the dramatic shift from carefree indulgence to tense survival draw parallels between the two, offering a visually and thematically rich experience that critiques the lifestyles and moral compasses of the elite.

1 The Hunt (2020)

A Much More Violent & Explosive Take On Class Warfare

Crystal (Betty Gilpin) holding a gun in The Hunt.
The Hunt
Director
Craig Zobel
Cast
Hilary Swank , Ike Barinholtz , Emma Roberts , Amy Madigan , Betty Gilpin , Justin Hartley , Glenn Howerton

While The Menu has many comedic elements, it leans more into the dramatic. The Hunt is a movie like The Menu in tone. Still, the scales are tipped further in the comedic direction, as it’s a political satire about a group of wealthy elites in the United States who have captured people from right-leaning parts of the country to hunt. It’s much more violent and explosive than The Menu, but it skewers both sides of the argument just like The Menu does. And like The Menu,The Hunt also ends on a slightly triumphant note for the one sympathetic character in the entire story.

The Hunt and The Menu both explore themes of class warfare and social satire, though The Hunt amplifies these elements with more overt violence and dark comedy. Each film features a scenario where the elite plays deadly games with unsuspecting participants, serving as a metaphor for broader societal conflicts. While The Hunt takes a more explicit approach to its satire, mocking political extremes, The Menu offers a subtler yet equally biting critique of cultural elitism and pretension. Both films conclude with a sense of triumph for their protagonists, providing a cathartic resolution to their harrowing ordeals.

Fuente